Lee, I’m worried that
you’re not working hard enough.
[laughs] It’s a labour of love. I’m lovin’ it.
And it’s a massive tour – you’re going all
over the place. This is what you do – you tour a lot – but I’m really curious
as to how you keep your energy levels up.
I’ve got a few secrets. I take the Ab Roller out – work on
the abs. I go to the gym as much as I can. I have a detox that I take –
wellness greens and vitamin C, fibre. I have that every morning. I just try to
eat good food as much as I can, drink as much water as I can. And a bit of
Fireball whisky to wash it all down at night.
[laughs] And how
about your voice? I know some of the advice to singers is ‘don’t talk the day
of a gig’ but you’re doing media and all sorts of things. How do you protect
your voice?
I try not to do a whole lot of interviews on the day of the
gig, so just relax it a bit. And that Fireball whisky does work wonders on the
vocal cords.
In this show you’re
doing an acoustic first half, so that puts your voice even more on show. This
is the first time you’ve done acoustic on a tour like this, so what prompted
that decision?
To do something that I haven’t done before. And this whole
show really has been a perfect example of heading into the great unknown. I’ve
never been as nervous as I was before the first show in Townsville just last
week. I had no idea how people would react to the show but it became very
evident very fast that we were all a part of something much bigger than us, and
it’s been an absolute privilege and an honour to bring these songs and stories
to life on stage.
The first half is
songs from albums you’ve done that aren’t Spirit
of the Anzacs and the second half is Anzacs
songs. How do you choose a set list, given that your career has been so
extensive?
We just have a bit of a yarn, the boys in the band and I. We
knocked it around. We rehearsed for a couple of weeks and then decided which
ones we wanted to do live. It’s unplugged and semi-acoustic so the boys all
bunch up close together on stage and I’m loving that part of the show. It’s a
lot of fun. Christie Lamb joins us as well, singing harmony vocals, mandolin –
she’s a brilliant piano player, acoustic guitar player. She stars in the second
half of the show as well, doing some solo songs. We’ve also got Jon English’s
son – the great rock legend Jon English. His son Jonathan English is in the
band. So it’s a brilliant bunch of musicians.
And how are those
Wolfe Brothers coping with acoustic?
I don’t think they’ve ever sounded better. It really
showcases the boys’ vocals and their musical ability and musicianship. They’re
knocking it out of the park.
They’ve possibly
surprised themselves with that, because they’re so used to playing loud.
That’s right. We all have. Even for me, I [usually] strap
up, turn on and go. And there is that element in the show as well, but there’s
a whole lot more to it.
It would be really
easy for someone in your position, Lee, to think, What I’ve been doing has been working well so far – I’ll just keep
doing it, and you talked about being nervous before that Townsville show.
But I get the feeling that you like challenges – you like to keep moving
forward as an artist, and that relentless curiosity about what’s next is partly
what keeps your audience moving with you.
I think that this show, the fact that everyone involved in
it was challenged to take it to the next level, it’s opened up some new doors
and set a new template for how I will tour in the future. Using the screen and
the theatrical lighting is definitely something I want to continue doing.
And what about the
acoustic part of it – will you incorporate more of that in future?
Yes, I really do enjoy getting out there and doing it in
that mode. It’s fun and it’s different, but I love plugging in electric and the
bigger production stuff that comes in the second half.
How long is this
show?
It’s about two and a half hours. The show starts at 8 and
ends about 10.30 with a 20-minute intermission.
The reason why I ask
is so that people don’t look at the ticket time and think they can stroll in
late because the show doesn’t start right then – as can happen!
No, the quality’s on from the word go. There’s no filler
[laughs].
Do you keep going
back to the same venues on these tours or do you try to pick some different
towns?
My management company generally chooses which towns and
venues to play. We are limited – we need to have certain capacities in order to
cover the cost of taking a production of this size into a town. That’s how it
works, although sometimes I think they just stand in front of a map of
Australia and throw darts and say, ‘Okay, we’ll do that’ [laughs].
For the full list of tour dates, visit www.leekernaghan.com
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